In Cherie Dimaline’s novel “Empire of Wild,” three generations of women strive to rescue their family member from the clutches of the werewolf-like Rogarou, aiming to find a missing husband and safeguard their territory from corporate interests.
The compelling and intense narrative has earned the distinction of being named Indigo’s top book of 2019, surpassing renowned titles like Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
A substantial investment of approximately $4 million is underway to assemble an Indigenous-led creative team for transforming the book into an opera, with plans for the world premiere in Toronto next spring.
This initiative poses a bold move that may attract a younger audience and individuals new to opera, potentially challenging traditionalists who favor the conventional repertoire.
Set in the Georgian Bay Métis community of Penetanguishene, Ontario, where author Cherie Dimaline hails from, “Empire of Wild” resonates with composer Ian Cusson, who also originates from the area. Drawing inspiration from the folklore passed down through generations, Cusson identified elements from the stories his mother shared.
The collaborative effort between Cusson and Dimaline aims to craft contemporary characters that resonate with present-day audiences, featuring diverse personalities including queer individuals and a blue-collar family navigating extraordinary circumstances.
The forthcoming opera production is envisioned as a dynamic and immersive experience, likened to a cinematic spectacle with a touch of horror. Embracing unconventional elements, the creators seek to cater to the preferences of a younger demographic seeking engaging entertainment.
Innu soprano Elisabeth St-Gelais, embodying the role of Joan in the opera, acknowledges the relatability of the story to younger audiences, highlighting the character’s imperfections and struggles that mirror common human experiences.
At its core, “Empire of Wild” delves into themes of power, resistance, and resilience, portraying a tale of intergenerational support and matrilineal strength against formidable adversaries. The narrative draws inspiration from Métis folklore while showcasing a diverse cast of talents embodying the characters.
The opera’s Indigenous-led creative team emphasizes the importance of sharing narratives of resilience and survival, encapsulating the concept of “survivance” that reflects Indigenous peoples’ ability to endure and evolve amidst historical challenges.
The involvement of Indigenous creators in the opera production signifies a significant moment of empowerment and representation across various sectors of society, fostering inclusivity and diversity in artistic endeavors.
With a vision for a collaborative and inclusive artistic process, the creative team behind “Empire of Wild” aims to redefine traditional hierarchies and create a circular approach where every individual’s contribution is valued, setting a precedent for future opera productions to embrace diverse voices and perspectives.