A survivor of breast cancer has been reunited with her statue, which was initially revealed at Brixton station in London 35 years ago. Joy Battick, who was 26 years old when the statue was first unveiled, is portrayed in what is believed to be one of the earliest artworks depicting Black individuals in England.
Artist Kevin Atherton, after locating Joy many years later, was able to create a new life-sized bronze sculpture of her at 62 years old. The sculpture was presented at Brixton station on Wednesday following Southeastern railway’s decision to restore the original statues. Joy’s statue now proudly stands opposite the original one, with all four statues reinstated to represent the true essence of Brixton’s residents.
Expressing her emotions, Joy mentioned how overwhelmed she was by the achievement, especially considering the changes Brixton has undergone over the years. She emphasized the importance of acknowledging the community’s presence and history. The statues, collectively known as Platforms Piece, were initially commissioned by British Rail to enhance the station but had deteriorated over time, leading to their removal for restoration in 2016.
Joy revealed that she battled cancer in 2018 and expressed her gratitude for the opportunity to have her statue redone. Reflecting on her journey, she highlighted the significance of cherishing life experiences and telling her story.
Artist Kevin Atherton shared his adventure in reconnecting with Joy, emphasizing the emotional reunion after a long period of time. He described the process of locating her and the sentimental value of their reunion.
Joy’s statue, named Joy II, was unveiled at the station alongside local councilor Pauline George and Mr. Atherton. The sculptures, including Peter Lloyd and Karin Heisterman, were part of an artwork project called Platforms Piece – The Return, aimed at reflecting the cultural identity of Brixton.
Kevin Atherton explained how Joy symbolizes Brixton over the years, noting the transformation of the sculpture from a young woman to a mature individual as a representation of time travel. Joy expressed her hopes that her statue would resonate with the people of Brixton and convey a message of resilience and progress.
As part of the artwork’s concept to represent the local community and the essence of Brixton, the statues were strategically placed to interact with passing trains at the station. Joy, a former employee of Brixton Recreation Centre, expressed her desire to return to her roots despite no longer living in the area.
Joy recalled the Brixton riots of 1981, a significant event in the community’s history, and how her experiences have shaped her perspective. She acknowledged the importance of her statue in commemorating past struggles and celebrating progress.
The statues, recognized as the first sculptural representations of British Black individuals in a public art context in England, hold historical significance. Joy, who initially participated in the project for a break from work, now appreciates the opportunity it provided.
The original statues were handmade using body casts, while Joy II incorporated advanced techniques like 3D scanning and printing. Weighing approximately 200kg each, the hollow statues now adorn Brixton station under Southeastern railway’s ownership.