Carrie-Anne Moss found herself immersed in the pages of her beloved book, pondering the tale of Baba Yaga, when an intriguing offer to join the new series, “Yaga,” came her way. The serendipitous timing struck her as a meaningful coincidence.
In a conversation with CBC’s Eli Glasner, Moss shared her deep connection to “Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype” by Clarissa Pinkola Estés, a book she has cherished since 1999. The chapter she was reading resonated with the project she was being presented with.
The series “Yaga,” crafted by Canadian playwright Kat Sandler, is a gripping dark mystery-thriller adapted from her 2019 stage production.
Noah Reid (“Schitt’s Creek”) takes on the role of private investigator Charlie Rapp, embarking on a quest to locate missing heir Henry Park, portrayed by Hudson Williams (“Heated Rivalry”). The narrative unfolds in the fictional coastal town of Whittock, drawing parallels to the enigmatic Slavic legend of Baba Yaga, known for her hut perched on chicken legs and unpredictable nature.
After receiving a letter from Sandler detailing why she was ideal for the part of Katherine Hargrove, a professor intrigued by younger men, Moss carefully reviewed the pitch and scripts before committing to the role.
Filming in Victoria has brought Moss back to her roots in British Columbia, where she spent summers in her youth on the island with her relatives.
Growing up in Burnaby and later relocating to Granville Island with her mother during high school, Moss’s passion for acting was kindled by her experiences attending school plays and musicals, igniting a lifelong love for the performing arts.
Transitioning from Vancouver to Toronto as a model before venturing to Europe, Moss secured her first significant role on the TV series “Dark Justice” while in Barcelona, marking her entry into Hollywood.
Despite facing challenges upon moving to Los Angeles with limited resources and support, Moss persevered, driven by her genuine passion for acting rather than a desire for fame or recognition.
Her breakthrough role as Trinity in “The Matrix” in 1997 catapulted Moss to international acclaim, leading to subsequent film appearances and a return to the franchise with “The Matrix Resurrections” in 2021.
Balancing her career with motherhood, Moss has taken breaks from acting to prioritize raising her children, a decision she cherishes above all.
Relocating to New Hampshire for a quieter lifestyle, Moss remains contemplative about the impact of artificial intelligence on creativity, expressing reservations about its influence on storytelling and the role of artists.
Focused on the power of storytelling to foster empathy and connection, Moss navigates the evolving landscape of AI with a mindful approach, recognizing the spiritual and ethical implications at play.
As she embraces new opportunities and ventures back to her hometown, Moss reflects on the journey that led her to the right roles at the right moments.